We live in an exciting time for music. Now more than ever, independent musicians can create, release, and earn from music while maintaining full ownership. Gone are the days when a handful of tastemakers and big businesses decide who’s in and who’s out. We, the people — the producers, the songwriters — now have the ability to “place” our music on digital “shelves” where real consumers can listen to that music and thus support the continued creative process.
I’ve got my TV tuned to channel you B
In his book The Meaning of Human Existence, Pulitzer Prize-winning biologist Edward O. Wilson argues that “healthy people believe intuitively that they can hear every almost every sound. However… we walk through nature like a deaf person on the streets of New York, sensing only a few vibrations, able to interpret almost nothing.” So I hope your cat or dog is a music fan, because they are far more likely to appreciate the crisp top-end preserved in your favorite lossless audio format than you are.
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After a piece is fully composed, I turn to technology for the organization and administrative side of things: Making charts, organizing rehearsals, emailing harsh MIDI demos to everyone while simultaneously watching Columbo in the background.
I often wonder what would happen if we bring back more of this kind of multilayered, allegorical thinking, this juicy stuff that made the music of Bach and others so meaningful in its day? Reviving these older creative methods and conceptions of music makes a worthy and profound experiment.
In this case, the B♭ is the 9th, even though it looks like it should be called the 2nd. Tensions get bumped up an octave (2nd becomes 9th, 4th becomes 11th, and 6 becomes 13th).
With a minimal music style such as hip-hop, even the smallest variation or deviation from the established material can have powerful dramatic effects. Let’s learn a bit more.
Sometimes the bass sounds great merely doubling what is being played on the guitar — and especially when that guitar is being played by Jimmy Page. John Paul Jones actually had tons of bass-hooky songs, but here in “Over the Hills and Far Away,” the bass is a bit subdued throughout most of it — which makes this particular section stand out even more. That section is when Page climbs out of his solo with a three-octave arpeggiated run, and Jones follows alongside with a standard pattern of root-third-fifth-minor seventh across each octave, a mixolydian theme that would sound good in basically any context.
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For example, we played a show in Vancouver and made friends with the other artist on the bill. She told us about an “Italian Day” street fair happening the next day, and guess what — we were there! Friends help you get through the monotony of long tours.
In the story, Lulu is loved by many, but manipulates her lovers, moving from one to the next. At the height of her adoration, her fortunes begin to fall: she’s chased by the police, imprisoned, forced into prostitution, and then eventually murdered. To drive this musical and thematic symmetry home, Berg specified that the actors that play her first three lovers are the same actors that play her last three clients when she is a prostitute. This dramatic palindrome dovetails with the musical palindrome: Berg’s marriage of disturbing musical formalism with dramatic technique highlights Wedekind’s unearthing of the violence within patriarchal sexuality.
The ancient Greeks figured out that if you have a bunch of strings, it sounds really good if you tune them according to the frequency ratios you get from the natural overtone series. In such tuning systems, you get all your notes by picking a starting frequency, and then multiplying or dividing it by whole numbers. The good-sounding (to Western people) note combinations are the ones derived from the lowest harmonics — the ones that have you multiplying or dividing by the smallest prime factors: two, three, and five.
Here at Soundfly we talk a lot about setting and achieving one’s goals. So it makes a lot of sense that this would be the first and probably most important tip for streamlining your workflow. When you have a clear goal in mind, every decision and every distraction should be questioned. Time simply can’t be managed professionally in recording spaces without a detailed list of goals and priorities.
Your engagement metrics will tell you which efforts are getting the most attention on a weekly basis, and how that’s changed over time from a macro perspective. What this means is, you can easily see where you’re getting the most interaction and focus in any particular space, and how images or videos two years ago for example stack up with those posted more recently.