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That said, Hein makes a great point that often the debate is not about current technology versus better technology. Rather, it’s a question of using technology either to achieve a result or to achieve nothing. He says, “If you’re some freshman in music school, usually the choice is not ‘shall I have a live string quartet play this or shall I have it be fake strings in Sibelius?’ No. It’s fake strings in Sibelius or nothing. And certainly when they get out of music school it’s fake strings or nothing.” So, having technology be there to help us along doesn’t take anything away, it enables us to do more. The role of education needs to be to empower students to make the most out of what’s available and not to mistake technology’s comforts for their own creative acumen.
“This adult coloring book features over 20 glorious pages that demonstrate the power and depth of jazz music. Readers and colorists can enjoy a calming sensation while coloring the pages of this book (hopefully, while enjoying their favorite jazz mix).”
Dance grants for individuals
This is a two-part course series dedicated to sampling found sounds at home and turning them into all kinds of beats and tracks in Ableton Live. The first part is taught by Ableton Certified Trainer Brian Jackson, and concerns how to capture sounds using a simple microphone setup at home, and warp them into useable raw materials in Ableton. The second part follows famed YouTuber, beat maker, and educator Andrew Huang as he makes an incredibly compelling song out of nothing but sounds from a kitchen pot — and explains his process step by step on camera.
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
We Heart is a blog focusing on art, culture, lifestyle, and traveling. What better way to seek inspiration than to learn about something you’ve never seen before or previously discovered? We all know that the internet has a way of sending us down rabbit holes, and as a songwriter, you should welcome those journeys! Who knows, maybe there’s a story waiting just around the corner to take your songwriting to a whole new level.
I’ll let you in on an industry secret: Most voiceovers you hear on adverts, movies, and TV shows have been recorded by a pro voiceover talent from their home. How do I know this? Because I’ve personally set up a substantial amount of the country’s top voiceover talents’ studios in New York City over the last ten years. Unless you want to build a booth in a spare room (which I would recommend but it can get pricey), it’s usually easier and cheaper to use the tools you already have.
Morricone, Rota, Cipriani, Umiliani, Piccioni, Ortolani, Trovajoli: They’ve all influenced my work in countless ways, and not just in their shared collaboration with Edda Dell’Orso. Starting with Morricone and working my way down the line, I’ve tried to study the work of these composers as deeply as I can, and discover what it is about the kind of music they made which speaks to me on such a profound level.
Rappers with felonies
Firstly, the consensus among considerable and devoted fans of the group is that the Roland SH-101, Yamaha AN1x, and the Akai S1000 are the most likely hardware cornerstones of the pair’s sound. Beyond reliance on these units to generate sound, the recording platforms are also key.
As a new songwriter, the many varieties of songform might come naturally to you, or it might be a goal that you’re shooting to improve on. But luckily, while there are a ton of models out there for how songs are made to function, there are no hard and fast rules — which means you’re free to learn what tools you need, and then bend them to suit your songwriting practice.
Everyone has their own tastes, so it’s difficult to pin down what makes some lyrics better than others — but still, there are many lyricists who are widely regarded as particularly masterful. A good starting place is to identify our personal favorites, study their work closely, and focus on developing our own skills.
Writer’s block can be a burden on any songwriter or artist’s progress. There are no hard and fast rules to songwriting and there are certainly no surefire ways to break out of writer’s block. If you are experiencing a block in your creativity, these steps may help you to rediscover your muse or ignite a creative spark that you’ve never had before. Whatever the case may be, the most important step in breaking out of a songwriter’s block is to keep writing and never give up despite your frustrations. The more you write, the easier it is to write. Share your own methods for breaking out of a creative block below.
One of Kaye’s signature riffs occurs here during the “I’m picking up good vibrations” refrain. By singer Mike Love’s own admission, he sang the notes of the vocal riff to double the bass riff, not the other way around, but the two parts sync so well together. This helps make the bass line so recognizable.